The Big Fat Quiz of the Year artwork, representing one of Oli Gilford’s television production credits.
A League of Their Own artwork, a television production credit for Oli Gilford as Archive Senior AP.
There’s Something About Movies artwork, a television production credit for Oli Gilford as Archive AP.
Promotional poster for a show called 'A Night in with Sally Lindsay,' featuring Sally Lindsay sitting on a red velvet couch in front of red curtains with gold tassels, with the show's title in large gold letters above her.
Colorful quiz show title card with the text "The Big Fat Quiz of Telly" on a purple radiant background.
Cover image for 'Catching Up with the Royals' featuring Richard Coles and Emily Andrews, both wearing crowns and royal attire, against a blue background.
Operation Ouch! artwork, representing one of Oli Gilford’s television and west end, sydeney opera house and royal festival hall writing and script editor credits.
Title card for a sports quiz called "The Big Fat Quiz of Sport" with a purple radiating background and yellow-bordered blue text box.
Portrait Artist of the Year artwork, representing one of Oli Gilford’s television production credits.
Reasons to Be Cheerful with Matt Lucas artwork, a television production credit for Oli Gilford as Archive AP.
Take Me Out artwork, representing one of Oli Gilford’s television production credits.
It’s Clarkson on TV artwork, representing one of Oli Gilford’s television production credits.
The Story of Only Fools and Horses artwork, representing one of Oli Gilford’s television production credits.
Greatest Pop Videos artwork, a television production credit for Oli Gilford as Producer and Edit Producer.
Mary Berry’s Country House Secrets artwork, representing one of Oli Gilford’s television production credits.
Stock Aitken Waterman: Greatest Hits artwork, a television production credit for Oli Gilford as Producer and Edit Producer.
Group photo of people standing together on stage at Miranda: My Such Fun Celebration, with red curtains and a gold and red sign in the background.
A man in a tuxedo sitting in a theater with red seats holds a marquee sign that reads: 'Now Showing Greatest Ever Movie: Munde Blunders'.
Greatest Hits of the '70s artwork, one of Oli Gilford's Producer & edit producer credits.
Dolly Parton, Kenny Rogers & Friends artwork, one of Oli Gilford's Producer & edit producer credits.
Garth, Tammy & Friends artwork, one of Oli Gilford's Producer & edit producer credits.
A neon-lit scene with the words 'Take Off' in large metallic letters, a stylized rocket, and the text 'with Bradley & Holly' in purple and white at the bottom, set against a starry night background with a futuristic cityscape.
Comedians Giving Lectures artwork, representing one of Oli Gilford’s television production credits.
Colorful neon-style digital illustration of a man with glasses and a beard smiling in the foreground. Behind him, a holographic display shows the months January to December and a small robot with a digital face. On the left, three people sit on a ben
Russell Howard’s Stand Up Central artwork, representing one of Oli Gilford’s television production credits.

PRODUCTION

Before specialising in hands-on editing, I spent nearly a decade across more than 60 television and radio productions, progressing from runner to Producer, Edit Producer, Archive Producer and Development Producer.

That experience makes its way into the edit: ideas and treatments; research and contributors; scripts, sync and paper edits; archive, rights and compliance; studio and location production; editor management; graphics, notes, online and delivery.

For editing clients, the value is practical: I understand what the producer, contributor, client and post-production team need, and I can spot problems before they become expensive surprises.

  • Development, ideas and treatments

  • Research, casting and contributor briefing

  • Archive sourcing, negotiation and rights clearance

  • Copyright, fair dealing, music and contributor paperwork

  • Studio and location production

  • Edit producing, paper edits, scripts and voiceover

  • Story, structure, tone and editorial judgement

  • Compliance, taste and sensitivity

  • Post-production workflows, notes, versions and delivery

View CV